Little Fires Everywhere is not Big Little Lies, but we can see why you might compare them. Both series star actor Reese Witherspoon. Both were produced by her company, Hello Sunshine. Both are based on novels written by women and have the word little in their titles. Both are compelling stories of motherhood and class. But that, Witherspoon says, is where the similarities end.
“It feels like apples and oranges to me once you get to the end of Little Fires Everywhere, so just watch,” she tells Glamour of the Hulu series, which is based on Celeste Ng’s 2017 bestseller about two very different families in the seemingly picture-perfect suburb of Shaker Heights, Ohio. “Obviously the main similarity is exploring the inner lives of women and how they really feel. Things still feel pretty new at this point, from the perspective of female storytellers and female filmmakers.”
Witherspoon’s costar and co-executive producer, Kerry Washington, agrees. “I guess there are similarities in terms of ideas around class and being a mother, but I do think these stories are so unique,” she tells Glamour. “There is a danger in conflating all stories about motherhood as being the same thing. It’s more than good mothers and bad mothers. There’s unique challenges and rewards and approaches and philosophies and ideologies.”
Washington is right. Little Fires Everywhere is a compelling social commentary on the urge parents feel to give their children a more well-rounded life than they had—and the unique costs that can come from that desire. In one poignant scene in episode three, Witherspoon’s character, Elena, helps her teen daughter Izzy shave her legs. It’s a simple act on the surface, but it’s packed with so much subtext about the often complicated relationship between mothers and daughters. Just the fact that the scene exists at all is important to Witherspoon.
“I haven’t even really seen that on television before, but it’s a right of passage of certain cultures, and this family in particular,” Witherspoon says. “There’s so much around the way women present themselves and [ideas about] beauty that is so engrained and generational. It’s really interesting that we’re unpacking this now. I certainly am as a mother of a daughter.”